How to Take Landscape & Scenic Photos

Landscape or scenic shots are one of those types of images that almost everybody takes, professional or not. The only problem is that so many of basic landscape pictures never look as good as it did in person. The reason may be obvious but it also marks the difference between professional scenic photographers and general consumers. The difference is the amount of detail that is able to be captured. Get more detail into your scenic shots and you will greatly improve your images.

The first trick to getting more detail has to do with the time of day the image was taken. Never shoot during the middle of the day if you can avoid it. Go for the Golden Hours as discussed before and take advantage of when Mother Nature looks her best. In landscape photography direct overhead sunlight kills landscape dimensions and makes them look flat and bleak.

A tripod and a shutter release cable are very helpful tools to have with landscape photography. Losing detail due to camera shake would be a terrible crime in landscape photography. In most cases, the landscape isn't moving - at least not a rate that we can tell. Take the time to properly compose and think about the elements in your shot. Look for hidden details within the landscape that can be focused on or even put in the sweet spots of your image.

flashes are generally not necessary in landscape photography. This is mostly because the flash won't even hit the subject that you are shooting. If your camera tries to use a flash then force it to turn off. This will allow you to have slower shutter speeds.

Increase your depth of field. This can be done a couple of ways. The first way is to use the smallest aperture you can. This will give you a greater depth of field then with a larger aperture. A smaller aperture will also require a longer shutter speed. This is allowed in landscape photography since your subject is not moving. Remember that a small aperture is represented by a large number such as f/22.

You can also increase depth of field by including a close by subject to make a contrast in size. An example of this would be if you were on one mountain ridge taking a picture of the ridge next to you. Include in your image a tree that is on your ridge but far enough away. You suddenly brought depth and proportion into your beautiful landscape.